Posts Tagged ‘Harry Belafonte’


10.11.2024

Harry Belafonte – Old King Cole

Een geweldig nummer uit mijn jeugd is Old King Cole gezongen door de Amerikaanse zanger & acteur Harry Belafonte (1927-2023) tijdens zijn tweede concert in Carnegie Hall in 1960. Hier zingt hij het tijdens een optreden bij de BBC een jaar eerder. Old King Cole is een Britse nursery rhyme uit de 18e eeuw.

De lp waar dat nummer op stond was heel belangrijk in mijn leven en werd bij ons thuis grijsgedraaid. Ik herinner me de muziek nog heel goed en kan die ook nog steeds goed mee zingen, ook al klopt mijn Engels van geen kanten. Ik vulde sommige woorden als kind in, door de klanken na te doen. En pas nu heb ik een idee van wat ik toen eigenlijk zong. Dat had ik toen ook met de nummers van The Beatles.

Er zijn twee dubbelalbums van de concerten van Belafonte in Carnegie Hall. Op het eerste album Live From Carnegie Hall uit 1959 staan nummers als Cucurucucu, Jamaica Farewell, Come Back Lisa, Have Nageela & Matilda. En op het tweede album Belafonte Returns to Carnegie Hall (met Odetta & the Chad Mitchell Trio) uit 1960, staan nummers als A Hole In The Bucket (met Odetta), Jump Down Spin Around, Hene Ma Tov en dus ook Old King Cole. Allemaal nummers die ik bij me draag.

Old King Cole
Old King Cole was a merry old soul,
and a merry old soul was he.
Called for his pipe,
and he called for his bowl,
and he called for his privates three.

“Beer, beer, beer”, said the privates.
“Merry men are we.
There’s none so fair, as can compare,
with the Fighting Infantry.”

Old King Cole was a merry old soul,
and a merry old soul was he.
Called for his pipe,
and he called for his bowl,
and he called for his corporals three.

“Hup two, hup two, hup two”, said the corporals.
“Beer, beer, beer”, said the privates.
“Merry men are we.
There’s none so fair, as can compare,
with the Fighting Infantry.”

Old King Cole was a merry old soul,
and a merry old soul was he.
Called for his pipe,
and he called for his bowl,
and he called for his sergeants three.

“Yeahhhhh”, said the sergeants.
“Hup two”, said the corporals.
“Beer, beer, beer”, said the privates.
“Merry men are we.
There’s none so fair, as can compare,
with the Fighting Infantry.”

Old King Cole was a merry old soul,
and a merry old soul was he.
Called for his pipe,
and he called for his bowl.
And he called for his supplements three.

“We do all the work”, said the supplements.
“Yeahhhh”, said the sergeants.
“March you dump watch”, said the corporals.
“Beer, beer, beer”, said the privates.
“Merry men are we.
There’s none so fair as can compare,
with the Fighting Infantry.”

Old King Cole was a merry old soul,
and a merry old soul was he.
Called for his pipe,
and he called for his bowl,
and he called for his captains three.

“Oh don’t be late for the dance”, said the captains.
“We do all the work”, said the shavetails.
“Yeahhhhh”, said the sergeants.
“March to the guardhouse”, said the corporals.
“Beer, beer, beer”, said the privates.
“Merry men are we.
There’s none so fair as can compare,
with the Fighting Infantry.”

Old King Cole was a merry old soul,
and a merry old soul was he.
Called for his pipe,
and he called for his bowl,
and he called for his chaplains three.

“Oh what a bloody mess”.
“Amen, amen, hallelujah.”
“Oh don’t be late for the dance”, said the captains.
“We do all the work”, said the shavetails.
“Yeahhhh”, said the sergeants.
“Put it in a bucket”, said the corporals.
“Beer, beer, beer”, said the privates.
“Merry men are we.
There’s none so fair as can compare,
with the Fighting Infantry.”

Old King Cole was a merry old soul,
and a merry old soul was he.
Called for his pipe,
and he called for his bowl,
and he called for his colonels three.

“Oh what a lovely war”, said the colonels.
‘Oh what a bloody mess”.
“Amen, amen hallelujah”.
“Oh don’t be late for the dance”, said the captains.
“We do al the work”, said the shavetails.
“Yeahhhhh”, said the sergeants.
“March to the end”, said the corporals.
“Beer, beer, beer”, said the privates.
“Merry men are we,
there’s none so fair as can compare,
with the Fighting Infantry.”

Old King Cole was a merry old soul,
aand a merry old soul was he.
Called for his pipe,
and he called for his bowl,
and he called for his generals three.

Thuh, thuh.
Oh come on fellahs, give a fellah break.
“Uh what’s my next command”, said the generals.
“Oh what a lovely war”, said the colonels.
“Oh what a bloody mess, amen.”
“Oh what a bloody mess”, said the captains.
“Oh what a bloody mess”, said the shavetails.
“Oh what a bloody mess”, said the sergeants.
“Oh what a bloody mess”, said the sergeants.
“Beer, beer, beer”, said the privates.
“Merry men are we.
There’s none so fair as can compare,
with the Fighting Infantry.”

23.09.2012

Harry Belafonte & Danny Kaye – Mama Look a Boo Boo

Twee van de muzikale grootheden uit mijn jeugd waren Harry Belafonte en Danny Kaye. Belafonte door zijn meeslepende Belafonte Returns to Carnegie Hall (1960), waar ik vrolijk van werd. Ik kon het hele album meezingen en tegenwoordig begrijp ik pas wat de klanken betekenen die ik nazong. Danny Kaye kende ik door zijn films, waar mijn broer Roeland zo gek op was, en vooral door zijn lied “The Thing”, waarbij je er maar niet achter komt wat dat ding nou is.

Zowel Belafonte als Kaye kwamen uit een arm migrantengezin en zijn op eigen kracht omhoog geklommen. Harold George Belanfanti (1927) had een moeder van Jamaica en een vader van Martinique. Terwijl David Daniel Kaminsky (1913-1987) deel uitmaakte van een joods gezin uit de Oekraïne.

Je ziet hier een hilarische opname uit The Danny Kaye Show van 1965, waarbij ze samen een typische Belafonte calypso zingen en dansen, met Kaye als perfecte imitator. Het lied “Mama Look a Boo Boo” was een hit van Belafonte uit 1958.

Mama Look a Boo Boo
I wonder why nobody don’t like me,
or is it the fact that I’m ugly?
I wonder why nobody don’t like me,
or is it the fact that I’m ugly?

I leave my whole house and go.
My children don’t want me no more.
Bad talk inside the house they bring.
And when I talk they start to sing.

“Mama, look a boo boo”, they shout.
Their mother tell them,
“Shut up your mouth!
That is your daddy!” “Oh, no,
my daddy can’t be ugly so.”

Shut your mouth, go away.
Mama, look at boo boo they.
Shut your mouth, go away.
Mama, look at boo boo they.

I couldn’t even digest me supper,
due to the children’s behaviour.
“John!” “Yes pa!” “Come here a moment.
Bring the belt, you’re much too impudent.”

John says, “It’s James who started first.”
James tells the story in reverse.
I drag my belt from off me waist.
You should hear them screaming round the place.

“Mama, look a boo boo”, they shout.
Their mother tell them,
“Shut up your mouth!
That is your daddy!” “Oh, no,
my daddy can’t be ugly so.”

Shut your mouth, go away.
Mama, look at boo boo they.
Shut your mouth, go away.
Mama, look at boo boo they.

So I began to question the mother.
“These children ain’t got no behaviour!”
So I began to question the mother.
“These children ain’t got no behaviour!”

“They’re playing with you,” my wife declared.
“You should be proud of them, my dear.
These children were taught too blooming slack.
That ain’t no kind of joke to crack.”

“Mama, look a boo boo”, they shout.
Their mother tell them,
“Shut up your mouth!
That is your daddy!” “Oh, no,
my daddy can’t be ugly so.”

Shut your mouth, go away.
Mama, look at boo boo they.
Shut your mouth, go away.
Mama, look at boo boo they.

17.07.2010

Harry Belafonte – Matilda

Het is zomer dus lijkt het me de hoogste tijd voor wat tropische muziek.

De vrolijkste en meest zonnige muziek in mijn ouderlijk huis was die van Harry Belafonte. Met veel energie, swingend,  heel muzikaal en komisch.

In 1996, op 69-jarige leeftijd, bleek The King of Calypso het nog steeds te kunnen, live in New York.

Luister naar zijn eerste single uit 1953, Matilda, met een tekst van niks die hij, ongelofelijk maar waar, bijna tien minuten lang spannend weet te houden. Bij zeven en halve minuut gaan de achtergrondzangers los en toen zat ik helemaal op het puntje van mijn stoel!

Achtergrondzang: La Tanya Hall, Gwen Jackson, Keith Fluitt & Sam McKelton
Bas: Mamadou Ba
Drums: Ricky Sebastian
Gitaar: Richard Bona, Dominic Kanza & Dan Carillo
Percussie: Edison da Silva & Emedin Rivera
Sax: Morris Goldberg
Toetsen: Lenny Underwood

Matilda
Hey! Matilda, Matilda, Matilda,
she take me money and run Venezuela.
Matilda, Matilda, Matilda,

she take me money and run Venezuela.

Five hundred dollars, friends, I lost:
Woman even sell me cat and horse!
Don’t you know. Matilda, she take me money and run Venezuela.
 
Matilda, Matilda, Matilda,
she take me money and run Venezuela.
 
Well, the money was to buy me house an’ lan’
Then she got a serious plan,
Matilda, she take me money and run Venezuela.
 
Matilda, Matilda, Matilda,
she take me money and run Venezuela.
 
Well, the money was just inside me bed,
Stuck up in a pillow beneath me head.
Don’t you know,
Matilda, she take me money and run Venezuela…
 
Matilda, Matilda, Matilda,
she take me money and run Venezuela.
 

Well the woman was in a big red dress
What she make my life a mess
Matilda, Matilda, Matilda,
she take me money and run Venezuela.

Well, me friends, never to love again,
All me money gone in vain!

Don’t you know
Matilda, she take me money and run Venezuela…
Matilda, Matilda, Matilda,

she take me money and run Venezuela.